Molly has thyroid cancer but she’s like, totally fine. More than fine, in fact - she’s doing great. Because Molly has figured out how to have cancer and still be okay, and she’s ready to grace the world with her advice.  

Stuck in a dull hospital waiting room for yet another appointment, Molly shares her rules on how to have cancer and be totally fine. But as the minutes tick by and her story unfolds, her definition of ‘fine’ becomes more and more blurry.   

Grab your broomsticks and join WhatNot Theatre as we whisk you away on a mystical mayhem of an adventure. Meet Esmeralda Blunder, a lovable but calamity prone apprentice Witch who just can’t quite seem to master the art of spells and potions.  

Offering a unique window into often overlooked aspects of the city of Oxford, “Portals and Parallels" is an exploration of the duality that defines this place, blending elements of theatre, comedy, spoken word, visual art, music and more.    

A woman opens the door at two in the morning and tries to hang on to normal. Lisa doesn't have the right words or know what questions to ask in this new world of crime and law. So what happens when doing the right thing isn't the right thing any more? This solo show explores the world of knife crime from a fresh perspective as a woman is forced to confront the unfamiliar world her son has collided with and compromise on what she thinks she believes in.

"Have You Met Stan?" is a musical that weaves together the complexities of identity, family, love and heartbreak into a poignant, powerful story. Set in an Irish pub in London, it takes the audience on a journey through the intersecting lives of two immigrants - Stan from Poland and Séan from Ireland - as they come to terms with their identities and their struggles as LGBTQ+ individuals.  

Through a fusion of Irish folk tunes and pop-folk melodies, the story unfolds, bringing to life the challenges faced by both characters as they navigate the often-tumultuous waters of immigration, adolescence and love.  

Pigeons in Transit is a daring solo performance by composer and songwriter Hannah Fredsgaard-Jones. The play intricately intertwines the realms of climate change, conspiracy theories, pigeons and a resilient hope for the future.   

A woman grappling with the overwhelming weight of environmental despair experiences a surreal awakening when mysterious parcels appear on her doorstep.  

She Vanishes in the Air is an interactive theatre game that challenges the audience's perceptions by exploring the impact of cancel culture on artistic creation. The game, which lasts for one hour,  is inspired by the mysterious case of a woman's disappearance. Three artists have joined forces to create a politically correct reconstruction of the story, which the audience can engage with through an app, from which they can cancel, vote and choose one of the hypotheses.