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Have you met Stan?

  • Burton Taylor Studio Gloucester Street Oxford, England, OX1 2BN United Kingdom (map)

Thur 12th, 6.30pm
BT Studio | £10
Content warning: suicide, coming out 

"Have You Met Stan?" is a musical that weaves together the complexities of identity, family, love and heartbreak into a poignant, powerful story. Set in an Irish pub in London, it takes the audience on a journey through the intersecting lives of two immigrants - Stan from Poland and Séan from Ireland - as they come to terms with their identities and their struggles as LGBTQ+ individuals.  

Through a fusion of Irish folk tunes and pop-folk melodies, the story unfolds, bringing to life the challenges faced by both characters as they navigate the often-tumultuous waters of immigration, adolescence and love.  

With an original score by Bart Thiede, expect plenty of Irish influences in this pop musical. Grab a drink at the bar and join our excellent house band as we accompany these two lads on their journey.   

"Have You Met Stan?" is a celebration of love, friendship, and the resilience of the human spirit. With its captivating music, poignant narrative and expertly crafted staging, it will leave a lasting impression on all who experience it.  

Bart Thiede is an Oxford graduate who is a multifaceted and talented composer, musical director, and choral conductor, known for his work with professional and youth ensembles. Of Polish heritage, Bart grew up in Northern Ireland and his compositions often centre on notions of identity.   

As heard on BBC Radio, Bart has directed and played on two critically reviewed albums. He is an award-winning musician and his musical versatility shines through in his musical endeavours. Bart is recognised for his dedication to education, boasting years of experience in developing school musical programs and providing specialised tutoring.   

“[Bart’s] accompaniments are magnificent in their subtlety. He delivers with perfectly-nuanced virtuosity.”  

MusicWeb International  

“[Bart] possesses an enviable grasp of choral development and conducting.”  

Organist’s Review  

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